International Artist Workshop -Italy

Hi again Everyone. Last time, I attached a general list of all my upcoming workshops for 2014. But for now, I'm going to focus on a few special ones that still have spaces available. And this is going to be one amazing trip! Fantastic Italy : everything from the streets and canals of Venice, to the lakes and hills of the Italian Alps. Amazing! Really hope you can join us - It's going to be nothing but unforgettable scenery, great painting, fantastic food, terrific company - and a lot of fun! Follow the link here for additional information and sign-up sheets , or on my site under the "Workshops" tab. (www.thomasschaller.com) All my best, Tom http://www.paintingworkshops.net/schaller14.shtml International Artist - Italy 19-31 May 2014

147th AWS Annual International Exhibition

My sincere thanks to the jury for selecting my work "Chambers Street -NYC" for the 147th Annual International Exhibition of the American Watercolor Society. It's my 3rd and Signature acceptance , so I'm especially happy, and grateful!

103rd Annual Gold Medal Exhibition : California Art Club

I am very happy to have had two paintings - "Towers of Rocamadour" and "Ponte Sant'Angelo - Rome" - accepted into the 103rd Annual Gold Medal Juried Exhibition of The California Art Club. The exhibit will be held at the Autry National Center Museum in Los Angeles and opens 29 March 2014.

"Night in the City"

"Night in the City" Awarded "Outstanding Watercolor" in the November 2013 BoldBrush Painting Competition Thomas W. Schaller 30X22 inches 2013 http://thomasschaller.com

International Artist Workshop - Italy 2014

It would be so great if you'd think about joining us in Italy for two weeks next Spring. This will be a good one! Cheers, Tom http://www.paintingworkshops.net/schaller14.shtml

2013 International Art-Bridge-Watercolor Competition : St. Petersburg

A very big thank you to the Jury of The 2013 International Art-Bridge-Watercolor Competition sponsored by The Saint-Petersburg Society of Watercolor Artists for selecting my painting "Dreams of the Dordogne" as one of just 30 works in the exhibition and for honoring it with a First Place Award in the "Imaginary" Category. And a special congrats to my friend Iain Stewart - the only other American artist included - for his First Place Award in the "Cityscape" Category! Thanks also to the Chairman and Director of the Society for making this exhibition possible.

Guest Post - "The Architecture of Light" - Stillman & Birn

AUGUST 29TH, 2013 GUEST POST — Thomas W. Schaller: "The Architecture of Light" http://www.stillmanandbirn.com/blog/?p=764 https://www.facebook.com/photo.php?fbid=541243685929837&set=a.161530813901128.55524.160548623999347&type=1&theater August 29th, 2013 “Try not to paint the scenes and objects in front of you. But rather, try to paint the light that illuminates and gives them identity.” This little bit of advice is what I always tell my classes (and myself) as a way to begin to redefine – as painters – what it is we choose to paint, and moreover, how we choose to paint it. I don’t mean this to be at all as cryptic as it may sound. What I mean is – and unique to the medium of watercolor – that we are working in a “subtractive” way. In a transparent medium, the only real white, and therefore the only real light, comes from the plain white surface of the paper itself. So any tone, any value or color we apply, subtracts from the total amount of light that is available to us. Composing and protecting the light in a watercolor becomes of critical importance. Because once it is gone, it is lost forever. I see watercolor as a natural extension of the act of drawing. Except that in watercolor, we “draw” not with a line, but with shapes: shapes of value, of tone and color, of light. So as we paint, we literally carve away at that total amount of light shining from the pure white of the paper. And so, if we can begin to see ourselves as “painting with light”, with its structures and its forms, rather than with the structure and forms of our subject matter, we can begin to fundamentally change how we see and feel about the world around us. As an architect, I am naturally drawn to the man-made objects that populate our landscapes and cities. But I have long understood that it is the ever-changing nature of light, the shifting shades and shadows, that give those objects their life and meaning. I have also long acknowledged that it is the two-dimensional drawn and painted images of these buildings and urban landscapes that is my real passion. Moreover, I am inspired by what I like to think of as the dialog between the “architecture of man” and the “architecture of nature”. One could not exist without the other, and it is in this tension that I find the artistic questions that I like my paintings to address. Without the light that slides across it’s beautiful shapes and surfaces, reflects from it’s bright piazzas and canals, gently animates its interiors, and forms in beautiful pools of shadow, the phenomenon that is Venice, Italy for example, would not have the effect upon us that it does. But equally, the diffuse atmospherics of fog, shifting clouds, dramatic sunrises and sunsets, are as central to the very identity of that place as is any beautiful building, piazza, or statue. As painters, I sincerely believe that we must do more than just faithfully illustrate the things we see. For our work to begin to attain the status of art, we need to try to tell the story of our subjects. For me, it is in the structure of light – in all it’s subtleties and mystery, as well as in its bright dramatics – that those stories can begin to unfold. TW Schaller - Los Angeles August 2013 www.thomasschaller.com Award-winning watercolor artist Thomas W. Schaller is the author of: ‘Architecture in Watercolor’ VNR/NYC 1990; ‘Architecture in Watercolor’ McGraw Hill/ NYC 2000 ; ‘The Art of Architectural Drawing’ John Wiley/NYC 1998. Tom is currently at work on his next book, “The Architecture of Light”. "Fading Light - Rocamadour" Thomas W Schaller Watercolor 2013 30x22 inches